Press Kit

Bio & Projects

  • Owen Broder is a member of the GRAMMY® nominated Anat Cohen Tentet and has performed with internationally respected artists such as Ryan Truesdell’s Gil Evans Project, Miho Hazama, the Ulysses Owens, Jr. Big Band, and YouTube sensation Postmodern Jukebox. He earned the title 2018 Debut Artist of the Year from NPR’s Francis Davis and was included on DownBeat Magazine’s 2023 Critics Poll as a Rising Star Alto Saxophonist. His six albums as a band leader have received national recognition. An award-winning composer and arranger, Broder has received commissioned projects from the U.S. Air Force Band in Europe, the Airmen of Note, two off-Broadway shows, and the Winchester Symphonic Winds. A resident of Portland since 2021, Broder teaches core jazz courses at Portland State University and saxophone lessons at Pacific University, and serves on the Board of Directors for the Portland Jazz Composers Ensemble.

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  • The Owen Broder Quintet features saxophonist Owen Broder and a program of compositions associated with Johnny Hodges, the alto saxophone icon. While Hodges is discussed almost wholly in relation to Duke Ellington, Broder and his quintet of collaborators on the world stage shift focus to the Rabbit (the nickname that Hodges earned early in his career) as a bandleader in his own right. Broder presents Hodges: Front and Center as “a heartfelt tribute without ever aping the object of his affection or straying too far from the path. In short, he finds a perfect balance,” (The New York Jazz Record). The repertoire culls from the Ellington canon as well as from the saxophonist’s often overlooked catalogue of small group albums.

    Beyond Hodges: Front and Center, Broder is a member of the GRAMMY® nominated Anat Cohen Tentet and the Manhattan Saxophone Quartet and has performed with internationally respected artists such as Ryan Truesdell’s Gil Evans Project, Miho Hazama, the Ulysses Owens, Jr. Big Band, and YouTube sensation Postmodern Jukebox. An award-winning composer and arranger, Broder has received commissioned projects from the U.S. Air Force Band in Europe, the Airmen of Note, two off-Broadway shows, and the Winchester Symphonic Winds. “Fans of large-ensemble music might notice the sturdy artistic thread that connects bandleaders Maria Schneider, Ryan Truesdell and Owen Broder,” (Bobby Reed, DownBeat).

    Owen Broder, alto and bari saxophones • Riley Mulherkar, trumpet • Carmen Staaf, piano • Barry Stephenson III, bass • Bryan Carter, drums

    EPK

  • With his American Roots Project, saxophonist / composer Owen Broder explores the weft and weave of American roots music – from Appalachian folk to early blues, spirituals to bluegrass – through bold and inspired new interpretations envisioned through the perspective of another distinctly American musical tradition: jazz.

    On the band’s debut album, Heritage, Broder combines several of modern jazz’s most acclaimed composers and arrangers with an outstanding ensemble of gifted musicians to create a striking blend of tradition and innovation. It is at once an inheritance and a new link in a continually growing chain. “Fans of large-ensemble music might notice the sturdy artistic thread that connects bandleaders Maria Schneider, Ryan Truesdell and Owen Broder,” [Bobby Reed, DownBeat Magazine]. A featured project on ArtistShare®, Heritage works in conjunction with the American Folk Art Museum (NYC) in a multi-disciplinary collaboration, using selected related images from their permanent collection as visual companions.

    Owen Broder, woodwinds • Sara Caswell, violin • Scott Wendholt, trumpet • Nick Finzer, trombone • James Shipp, vibes/percussion • Frank Kimbrough, piano • Jay Anderson, bass • Matt Wilson, drums • Wendy Gilles, Kate McGarry, Vuyo Sotashe, voices

    Website | EPK

  • Cowboys & Frenchmen is a new take on instrumentation, composition, and orchestration for the jazz quintet. “The band makes a glorious sound – more like a larger ensemble at times – providing intriguing, innovative and sublime music,” [Mike Gates, UK Vibe]. The front line of two alto saxophones is the vehicle for reimagining the role of horns in a small group setting, charting new territory by exploring individuality within the same timbre.

    Following the top placement on radio charts of their debut album Rodeo (2015) and the four-star review from DownBeat Magazine of Bluer Than You Think (2017), the New York City-based quintet released its inventive third recording as a video album entitled Our Highway (2021). Recorded live at SubCulture, the album weaves together footage of Cowboys & Frenchmen onstage in one of New York City’s most renowned venues with scenes from a cross-country tour. Singles from the project were premiered by JazzTimes and WBGO, and the full film premiere was hosted by Live From Our Living Rooms.

    Cowboys & Frenchmen have visited over twenty cities in all regions of the country, performing at notable venues including Blues Alley (Washington, D.C.), Arts Garage (Boca Raton, FL), Art Boutiki (San Jose, CA), Herb Alpert’s Vibrato (Los Angeles, CA), Cliff Bell’s (Detroit, MI), and at the 2016 North American Saxophone Alliance Conference. With a deep commitment to jazz education, the ensemble pairs its performances with community outreach in the cities it visits, having presented masterclasses at the University of Michigan, Southern Methodist University, and Florida Atlantic University, among others.

    Owen Broder, alto and bari saxophones • Ethan Helm, alto saxophone • Addison Frei, piano • Ethan O'Reilly, bass • Matt Honor, drums

    Website | EPK

Press & Recognition

  • “Smooth-as-silk alto and baritone saxophone work.” – Frank Alkyer, DownBeat Magazine

    "Fans of large-ensemble music might notice the sturdy artistic thread that connects bandleaders Maria Schneider, Ryan Truesdell and Owen Broder." – Bobby Reed, DownBeat Magazine

    "Broder employs a past-via-the-present compositional technique with ingenuity and skill, producing music of genuine warmth and majesty." – Brian Zimmerman, Jazziz Magazine

    "Owen Broder plays with gospel-soaked gravitas." – Raul da Gama, World Music Report

    2023 Rising Start Alto Saxophonist, DownBeat Critics Poll
    2023 Regional Arts and Culture Council Grant Recipiant
    2021 UNCSA Alumni Artpreneur Grant Recipient
    2020 International Society of Jazz Arrangers & Composers Grant Recipient
    2018 Debut Artist of the Year, NPR Critics Poll
    2018 ASCAP Herb Alpert Young Jazz Composer Award – "Goin' Up Home," Heritage
    2017 Eastman/ArtistShare® New Artist – Heritage

  • Best Albums of 2022 – DownBeat Magazine

    ”The swing is impeccable.” | Editor’s Pick, Oct. 2022 | ★★★★ – Frank Alkyer, DownBeat Magazine

    “A heartfelt tribute without ever aping the object of his affection or straying too far from the path. In short, he finds a perfect balance.” – Dan Bilawsky, New York City Jazz Record

    “This conjunction of performance and intentions works delightfully throughout.” ★★★★ – Peter Vacher, Jazzwise

    “What stands out is Owen’s ability to channel Johnny’s timbre and tone.” ★★★★★ – Jeff Krow, Audiophile Audition

    Over 3 million streams on Spotify.

  • "A transcendent work of art." — Bobby Reed, DownBeat Magazine

    "Highly enjoyable, as well as impressive." ★★★★ — Brian Priestly, Jazzwise Magazine

    "Owen Broder has hit the musical jackpot with his exploration of American roots genres blending bluegrass, blues, folk, and spiritual idioms with a jazz swing feel." — Jeff Krow, Audiophile Audition

    "The ultimate representation of the marrow, majesty, and malleability of American roots music. In imbuing wide swaths of the country with a jazz sensibility, Broder puts the “heart” in “heartland.” — Dan Bilawsky, Senior Contributor, JazzTimes

    "Owen Broder and his crew examine the various sonic styles to emerge over the country’s history through a jazz lens—and the results are bracing." — Michael Roberts, Jazziz Magazine

    Best Music of 2018 – Best New Releases, NPR Critics Poll
    Editor's Pick, DownBeat Magazine
    10 New Albums You Need to Know About (March 2018), Jazziz Magazine

  • "The ensemble is smart, cohesive, and credible... using virtuosic skills and rhythmic power to walk the line between irony and earnestness, with listenability as high a priority as group creativity.” ★★★★ — Howard Mandel, DownBeat Magazine

    "Innovative as well as inspiring. Electric and emotional. The artistry of the quintet is exemplary.” — Travis Rogers, Jr., Jazz Times

    “Together, the band make a glorious sound – more like a larger ensemble at times – providing intriguing, innovative and sublime music.” — Mike Gates, UK Vibe

    2018 M-Prize, semi-finalists
    2017 Umbria Jazz Festival's Conad Competition, finalists
    2016 DC JazzPrix, finalists

Performance History

  • FESTIVALS

    Reno Jazz Festival | Owen Broder | 2023
    Earshot Jazz Festival | Owen Broder Quintet | 2022
    Detroit Jazz Festival | Anat Cohen Tentet | 2021
    Elmhurst Jazz Festival | Gil Evans Project: Birth of the Cool | 2021
    Monterey Jazz Festival | Anat Cohen Tentet | 2018, ‘20
    Bern Jazz Festival | Anat Cohen Tentet | 2019
    Umbria Spring Jazz Festival | Anat Cohen Tentet | 2019
    DC Jazz Festival | Cowboys & Frenchmen | 2016, ‘17
    Newport Jazz Festival | Anat Cohen Tentet | 2016

    VENUES

    Kuumbwa Jazz Center | Owen Broder Quintet | 2024
    SF Jazz Center | Anat Cohen Tentet | 2017, ‘19, ‘22
    Jazz Standard | Gil Evans Project | Bob Brookmeyer 90th Birthday Tribute Concert | 2020
    Carnegie Hall: Zenkel Hall | Anat Cohen Tentet | Premiere of Triple Helix commissioned by Carnegie Hall | 2019
    Chicago Symphony Hall | Anat Cohen Tentet | 2019
    Jazz Standard | American Roots Project | Heritage CD Release | 2018

  • JAZZ

    Portland Jazz Composers Ensemble | Alto Saxophone | 2023 - Present
    Anat Cohen Tentet | Baritone Saxophone, Bass Clarinet | 2016 – Present
    Gil Evans Project | Woodwinds | 2012 – Present

    CLASSICAL, PIT ORCHESTRA & TELEVISION

    Manhattan Saxophone Quartet | Baritone Saxophone, member | 2019 – Present
    The Most Happy Fellow | Williamstown Theater Festival | Alto Saxophone, Flute, Clarinet | 2022
    Tootsie | Tony® Award Winning Broadway Musical | Low Reeds Sub | 2019
    The Plot Against America | HBO Miniseries | Alto Saxophone | 2019
    The Bodyguard the Musical | U.S. Premiere Tour | Woodwinds | 2016-2017
    Lazarus | Off-Broadway Musical by David Bowie | Low Reeds Sub | 2016

  • JAZZ

    Jihye Lee Orchestra | Baritone Saxophone, Bass Clarinet | 2022
    Ulysses Owens, Jr. Big Band | Baritone Saxophone | 2022
    Riley Mulherkar Sextet | Alto and Soprano Saxophones | 2021
    Miho Hazama’s M-Unit | Baritone Saxophone, Bass Clarinet | 2020
    Dan Pugach Nonet | Baritone Saxophone, Bass Clarinet | 2020
    Charles Pillow Large Ensemble | Bass Clarinet | 2019
    Lucas Pinos’s No Net Nonet | Baritone Saxophone, Bass Clarinet | 2019
    Sammy Miller & The Congregation | Tenor Saxophone | 2018

    CLASSICAL, COMMERCIAL, WORLD MUSIC

    American Patriot | Renegade Opera | Alto / Baritone Saxophones | 2023
    Arthur Verocai | Baritone Saxophone | 2023
    Post Modern Jukebox | Tenor Saxophone, Clarinet | 2018, ‘19
    Bird & The Bee | Tenor Saxophone | 2019
    Trio Globo | Alto Saxophone | 2014

Teaching

  • Portland State University | 2021 - Present

    Contemporary Music Theory I
    Jazz Arranging I, II, and III
    Jazz Combo
    Jazz Sight Singing and Ear Training I, II, and III
    Jazz Theory I and II

    Pacific University | 2021 - Present

    Applied Saxophone Lessons
    Saxophone Quartet
    Woodwind Techniques

  • Performances for campus community, direction of jazz ensembles and sectionals, and interactive workshops.

    COLLEGE

    University of Reno | Reno, NV | 2023
    University of North Carolina School of the Arts | Winston-Salem, NC | 2017, ‘22
    New Mexico State University | Las Cruces, NM | 2021
    Indiana University of Pennsylvania | Indiana, PA | 2020
    University of Denver | Denver, CO | 2019
    Southern Illinois University Edwardsville | Edwardsville, IL | 2018
    Slippery Rock University | Slippery Rock, PA | 2018
    Lawrence University | Appleton, WI | 2017
    Southern Methodist University | Dallas, TX | 2016
    Arkansas State University | Jonesboro, AR | 2015
    New England Conservatory | Boston, MA | 2015

    MIDDLE & HIGH SCHOOL

    Oregon All-State Jazz Band | Eugene, OR | 2024
    La Villa School of the Arts | Jacksonville, FL | 2019
    Orange County School for the Arts | Orange County, CA | 2018
    Baltimore School of the Arts | Baltimore, MD | 2017
    For Hayes Metropolitan Education Center | Columbus, OH | 2017

  • Presentations on subjects related to saxophone, jazz, and career development and entrepreneurship in the arts.

    Jazz at Lincoln Center’s Swing University (virtual) | The Music of Johnny Hodges | NYC | 2024
    University of Michigan (virtual) | The Making of Our Highway | Ann Arbor, MI | 2021
    University of Missouri – Kansas City (virtual) | Album Production & Music Publishing | Kansas City, MO | 2020
    Northwestern University (virtual) | Jazz & Classical Saxophone | Evanston, IL | 2020
    Jacksonville University | Jazz Arranging | Jacksonville, FL | 2019
    Florida Atlantic University | Entrepreneurship in the Arts | Delray Beach, FL | 2019
    Eastman School of Music (virtual) | Financial Management for Musicians | 2018
    Manhattan School of Music | Career Development Panel | New York, NY | 2016
    Tarrant County Community College | Jazz Theory & Improvisation | Fort Worth, TX | 2016

Press Photos

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Stage Plot / Tech Rider

Instagram | @owenbroder
Facebook | @owenbroder
Spotify

Social Media Links

Contacts

Press & Publicity
Braithwaite & Katz Communications
Ann Braithwaite
ann@bkmusicpr.com

Label
Outside In Music
info@outsideinmusic.com